The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
期待了挺久 但是真的挺一般的 没有新意也没有亮点 表现平平 三星水平
老套到家了，美式恐怖片真的后继无人，玩来玩去全是同一套陈词滥调。
剧情太拉了...但是喜欢除了剧情以外的所有😢
导演完全没有把故事拍好，就当做是当地旅游环境宣传片好了
前面都很好，结局崩盘了，可惜了这出色的惊悚恐怖片了
最值得表扬的一点，倒地后还记得补刀了！还有这简直就是女超人
预告片比正片好看，悬疑气氛不足，借用神话也没有啥特别的发挥，最后，挺小打小闹的！
目前IMDb评分6.3/6.2K票，字幕已完成，转战下一个
女主和小孩演的不错，但整体画面暗黑，看起来费劲，典型的老美风格
氛围营造得还不错的恐怖片，连看了两部片都发生在Oregon，以后再开车去怕有阴影了😂
摄影打光剪辑都不错的。至于剧情上，如果女老师和小男孩家庭的可比性更强一些，可能会好看一些。20211227
風景不錯，氣氛有點，故事以及拍攝手法狗屎。
虽然一开始就猜到了是温迪狗 但氛围的营造很成功 还是带出了悬疑感
这看起来就像是在疫情期间找了一堆没事干的演员，拍了一个长达两个小时的即兴表演
相当一般，浪费了阴沉沉的偏远小镇和很有实力的怪物。
女主一个手无缚鸡之力的老师把父亲怪物打到批爆这真的合理吗.......
铺垫一小时高潮两分钟
剧情太拉了...但是喜欢除了剧情以外的所有😢
期待了很久，发现跟陀螺一点关系都没有…果然是温迪戈那跟开头那段神神叨叨的话有啥关系。小演员真的很灵。
可惜了小男孩这么优秀的演技以及影片这么出色的美术设计。
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