A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
真的逻辑不通，狗屎一堆，男女主角也并没有很吸引人，果然抖音推荐是烂片
看的出来有些画面在向游戏努力靠，但是槽点还是太多了。最后，还是塌的太少了哈哈哈。
甘心爱他们；
各种宣发吹，却烂到爆的尬片薅大陆羊毛1.29亿元，真当大陆钱多傻人多吗？ 1.5倍速尬了60分钟弃片。 2022·5·9 6.1/1.95万。上映6天 短评9145条 %35/47/18 大陆票房4600万。 2022·5·9 6.3/6.79万 短评2.58万条，%30/49/21。【IMDb6.4/10万 预算1.2亿美元，北美票房1.46亿42.42万美元，全球票房3.95亿12.42万美元】
撇开一些玛丽苏剧情之外，女主的三次逃跑更像是三次试探。关于怀疑和信任，其实人和人之间一开始从来都是互相怀疑不信任的，信任是一次次怀疑一次次否定之后才建立起，而后越来越相信。这是一部关于自我救赎和信任的西部风光片。
看了一半我睡着了，然后睡醒居然又接上了剧情 虽然我没怎么玩过这个游戏（卡带都有）但是 拍的。。难道不是又一个国家宝藏+印第安琼斯？？？全片一共就四个环节，老马找到荷兰弟，找到十字架，天空掰头，风帆船大战
就好似穿越回十几年前，《夺宝奇兵》一类的探险题材，论视效都比不上《木乃伊》，全靠荷兰弟赚眼球。
有的人被金钱主导 有的人被荣誉主导 有的人被情感主导 还有的 啥也带不动
游戏玩家可能还能找找还原度的乐趣，非玩家看得就比较煎熬了，剧情烂不说，寻宝设计敷衍，连动作都没什么看点，演员们都一副赶着打卡下班的样子，妹子也不靓。。
刀不血刃，枪不见血，青少模式，收割全球。（3.5）
最终两艘战船飞在天上的动作戏大设计非常喜欢，全程IMAX拍摄，画幅打开后看的很爽。整体娱乐性比《古墓丽影：源起》强很多。
非游戏党很满足，真•飞翔的荷兰人，有那么一瞬间梦回大航海时代。游戏安排起来。
看似平平无奇，甚至玛丽苏，但后劲好足。
5.7分。充分利用请假时间而做的临时之举，被金逸的IMAX彻底打败。还拉上了同学一起看，本想着会是放松爆米花，结果比预想之中还要无聊和无语。又找到了当初看《变形金刚5》和《黑衣人》时候的感觉，只不过这次难堪的是，我拉上了我同学……这是他的第一次IMAX观影。
但是汤姆赫兰德这位演员整体形象上的过于“鲜嫩”，对他所饰演的许多角色都起到了不小的副作用。看《谢里》时这种感觉更加强烈。
有的人被金钱主导 有的人被荣誉主导 有的人被情感主导 还有的 啥也带不动
低于预期值，可能还谈不上多么合格的冒险片，可能出于太久没看过类似题材了，总会拿来与《夺宝奇兵》《加勒比海盗》来对比。整体而言故事还是弱，缺乏奇幻元素的话场面也很难做出什么花来，让人有点印象的也就飞机关和飞船了，历史元素什么的背景添加也显得单薄了些。
爆米花一下……是太无聊的剧情。内容到表演，油腻的一塌糊涂。
It’s the pain that brought us to this moment.
游戏和电影的逻辑并不相同，这就是改编的魔咒。
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