Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
但是韵味能感动人很久很久
这么好的系列拍成什么玩意儿，已经分不清是神奇动物系列还是邓布利多前传，太没意思了
没看过第一部，直接看的第二部，感觉拍的还行，虽然主角是一群冷血动物，但是感觉都非常萌。人类的角色很像工具人，只是为了推进剧情而服务的。倒是每个小动物的创作都挺用心，不错的儿童片。
实属大地主看不上这些钱
不是很懂，此外，魔法世界的选举，拉票，注册之类的实在有点出戏
·结果老格的计划更小儿科╭(°A°`)╮你是怎么好意思一直装比的啊（）
这个系列的价值真的是快榨干了，人物无聊 ，节奏缓慢，故事简陋，所有的轻松部分看起来刻意尴尬，非要等到没人看票房雪崩了才不拍吗，真是可惜了 。
爬行动物很可爱好吧！谁说它们丑啊，我捶他(｀⌒´メ)！蜘蛛可爱，蛇蛇可爱，鳄鱼可爱，哥斯拉也很可爱啊！为什大家不懂爬宠的可爱啊！
看到一半睡着了
四平八稳的叙事，脱北者与高中生组成师生关系，同时弥补各自缺失的亲情部分，虽然俗套但没过度煽情，通过解数学题象征对真诚无欺的世界的追寻，同时也讽刺了功利社会与应试教育。
场景虽没有那么细腻。但冒险剧情比较吸引人。像公路电影。也是好朋友的狂欢之旅。
还行吧 剧情挺…一般 不过有些梗很好笑hhh 然后译名真的有问题吧！明明应该是重返大荒野啊！考拉冒险1是韩国拍的 而且根本就不是同一个公司同一个风格好吗 根本就相互完全无关…🤦♀️
有点失望吧。格林德沃和邓布利多没多少cp感
自从动物被边缘化之后，就越来越难看了。BL线强行喂，生怕我们嗑学家get不到似的，好特么刻意，多少有点没劲。
神奇动物以及每个角色间的羁绊越发动人，而这一次的动作场面绝对算得上精彩绝伦！此外，一些幽默桥段以及悬疑戏份直接将影片的趣味性和节奏感拉满！再一次深陷魔法世界！期待续集～
前半段很可爱，后半段剧本简直一泄千里，泄气的泄。发光的不是黑板上的公式，是崔岷植的眼神。看完想买草莓牛奶。朴炳垠恐惧或恼羞成怒时像一只炸毛的猫。
删减改翻译就很艹，麦叔抹脖子容易跳戏（dbq
【5.5】
能想到《美丽心灵》或《模仿游戏》，好久没看到把数理逻辑放在电影里做出圆熟的叙事的片子了。可以说用得简单了或是纯然玩弄一些“噱头数学”的概念，但依然难掩一种跳动活跃的气质——那是微积分的极限或函数上的动点、是黎曼猜想也是高中数学。越高阶的数学反而数字越少，精确的符号在现实之中屏幕之外震动，寥寥几笔，尽是人类大脑的荣光。
我们ggad这对老给子在建中互联网惨失出柜权_(:з」∠)_
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