A sharp, witty, mind-expanding and exuberant foray into the world of logic with computer scientist Professor Dave Cliff. Following in the footsteps of the award-winning 'The Joy of Stats' and its sequel, 'Tails You Win - The Science of Chance', this film takes viewers on a new rollercoaster ride through philosophy, maths, science and technology- all of which, under the bonnet, run on logic.
Wielding the same wit and wisdom, animation and gleeful nerdery as its predecessors, this film journeys from Aristotle to Alice in Wonderland, sci-fi to supercomputers to tell the fascinating story of the quest for certainty and the fundamentals of sound reasoning itself.
Dave Cliff, professor of computer science and engineering at Bristol University, is no abstract theoretician. 15 years ago he combined logic and a bit of maths to write one of the first computer programs to outperform humans at trading stocks and shares. Giving away the software for free, he says, was not his most logical move...
With the help of 25 seven-year-olds, Professor Cliff creates, for the first time ever, a computer made entirely of children, running on nothing but logic. We also meet the world's brainiest whizz-kids, competing at the International Olympiad of Informatics in Brisbane, Australia.
'The Joy of Logic' also hails logic's all-time heroes: George Boole who moved logic beyond philosophy to mathematics; Bertrand Russell, who took 360+ pages but heroically proved that 1 + 1 = 2; Kurt Godel, who brought logic to its knees by demonstrating that some truths are unprovable; and Alan Turing, who, with what Cliff calls an 'almost exquisite paradox', was inspired by this huge setback to logic to conceive the computer.
Ultimately, the film asks, can humans really stay ahead? Could today's generation of logical computing machines be smarter than us? What does that tell us about our own brains, and just how 'logical' we really are...?
不过还是感到很新奇，因为对于舞台剧的艺术形式虽然了解不是很深、只是泛泛的看过一些音乐剧，但是经过前一阵子参与学校的一个话剧制作，对舞台剧这种形式多少也有了一点了解…所以对这部剧的整体构建模式很惊叹，原来只见过快速的场景变换，几个演员换个衣服、灯光变一下就是空间变换了，但是这种大规模的一人饰多角，在配合上频繁的剧情空间变化…真的是的十分大胆，十来个人感觉演了好几十个角色。
(´°̥̥̥̥̥̥̥̥ω°̥̥̥̥̥̥̥̥｀)
我是个岛民，人不是孤岛。疫情期间看这个真的哭成🐶
每个个体的困境依旧，但对痛苦的共同感知造就了鲜活的、善良的、沟通着的世界。
音乐剧的音乐元素很拉胯，剧情张力就像老化的橡皮筋
感染力太强了，好好看，好好听，好好哭啊😭女机长的solo无论从音乐还是唱功都是完美的！讲述了如此悲痛的题材，但令人哭得情难自禁的时刻却不是因为单纯的悲伤，而是在音乐和演员表演的渲染下百感交集的心潮澎湃……真的太棒了！你永远可以相信音乐剧！！！
天下没有不散的筵席
耐听性包括舞台观赏性差了点。女机长solo女性力量依旧最强。
同样是救灾，同样是绝望，同样是与世隔绝，但纽芬兰让人像个人
还不错，这种形式的舞台电影百老汇音乐剧…真是第一次看，本以为会各种跳戏，没想到很真切
2001至2021，世界变了又好像没变。先不说这样的美式主旋律正能量和国内作品的立意高下问题，100分钟的舞台演绎中，完全打破了传统音乐剧的情节和幕次、空间与场景、台词与唱段的界限，让技术完全为艺术表达服务，就很赞！
上次看CFA还是疫情前，彼时世界仍是一体，地球仍似甘德镇。在充满猜疑与撕裂的当下，人类守望相助、携手共进的故事更显珍贵
人类永远的命运共同体。爱与包容是黑暗中的光明会指引我们到底新的彼岸。疫情之后再看感受更深，我相信人性的善与美好会驱散心中的恶与隐瞒，这不就是人性之光嘛。
救援物资里提前考虑到女性用品；语言不通就让我们用圣经来传达
我也好想进剧院我也好想进剧院我也好想进剧院——！所以像jamie那样拍成电影才是更好的做法，这样只会让一个月被取消三场演出的观众更加emo。
整片励志感人。虽是舞台表演。但故事讲述非常清楚。可以想象很多画面。
夸夸所有演员，基本都是一人分饰几角，不停通过衣着来区分角色，布景虽然只有简单的桌椅，但是结合转盘却运用的十分巧妙。
挺有意思的舞台剧 没有过于繁复的道具把舞台利用到了极致 和总统那部不同 这部视角主要集中在多辆飞机被迫降的小镇 居民们和乘客一起共渡难关 在这几年的疫情中 去回顾历史上的重大灾难和人渡过难关的勇气也是对当下的一种鼓励
正能量，流畅，演员ok，积极向上，歌好听，不错
好好看。很温馨，剧情、人物、场景真的都编排得太好了。我从二十分钟开始就一直处于要哭不哭的状态，但笑点很好地中和了情绪。
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