Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
2005-2022
画风成了手绘风，比于flash有了不少的进步。但是剧情太low了，带不动。而且和其他动物电影相比，这部的做工太糙了，也难怪票房这么低，其次就是分层不明确，到底是面向成年观众还是儿童都没有分清。但是作为篮球电影，国内外都少有的，还是以鼓励为主
最后一节音乐课了。
当然这篮球🏀打的还挺不错的，国内那会虽然我没去电影院看，但我把筐出胜利给看完了。只是我当初看TV感觉挺燃，看这电影反而不燃了，焯。这是为什么。
离谱，但是能看下去的程度。并且看完会怀疑自己为什么看完了。
虽慢但好哭，尤其是父亲对女儿，是女儿黑夜里的“仙后座”。
剧本太弱了，全靠最后的比赛撑着，对于明知结局的剧情没有创新。情怀大于故事。
看今年熊的预告片，太空的细致度比之前更加提升了，羊的画风过了12年也没有什么本质上的提升，笑点也很低幼……但随着剧情的深入，运动题材的热血与燃动，在比赛过程中，采取了更多的线条，三维等形式辅助画面内容，不吹不黑，是喜羊羊所有剧场版中，最好看的一部。 灰太狼问，“喜羊羊我们认识多久了”，喜羊羊说“大概5000多集吧”，突然有种感动莫名其妙……还有灰太狼要喜羊羊回打自己一拳，背景浮现粉红色的心，导演太会了，狼羊CP王道！美羊羊可别让沸羊羊继续舔了！
后面一场球赛还可以，但我真的忍不了喜羊羊系列草率的人体透视和优质的画风
卧槽？！我是不是把灌篮高手的最终一战提前get了？！我甚至觉得我的半月板都好了～～
哈哈，看到了羊城的一些标致，还是挺好玩的！
羊和狼全长大了 尤其是灰太狼 这家伙 它的眼睛 大眼晕 帅气。喜羊羊不像动画片里那样聪明、无私了。最后强攻，不肯传球给灰太狼，输了。然后球队散了。
陪女儿看的，后半段太燃了，虽然剧情还是俗套的励志内容，但咱就吃这一套啊！
人物模型变了，羊村、青青草原也没了，狼也不再抓羊了，已经不是熟悉的那个《喜羊羊与灰太狼》了……不过笑点还是有的，故事也还可以，不过决赛设定的有点太刻意了
两星半，小时候和小伙伴们讨论过，之后会不会每年一部喜羊羊，但后来这个IP就不了了之了，现在追忆起来就带了一丝追忆。这部电影总体上看，技术有硬伤，说教有点多，但大体上是比小时候看的进步了。
还是过于温和了，那个病人家属真强奸了女主可能会好点🤔
带着孩子走进电影院才惊觉，我和对象认识于上一个虎年。那一天我被豆友叫到特殊学校做义工，他带着设备去给孩子们放喜羊羊的虎虎生威。（那是第一次见面。后来才经另一个朋友正式介绍认识。）那一年灰太狼还冲进羊村要吃羊，这一年都和羊组队打篮球了。
一次失败不算什么，一次成功也并非能够改命。跌落谷底并不可怕，可怕的是失去斗志的沉沦。最大的敌人只有自己，最高的巅峰就在明天。逃避永远解决不了问题，面对才是唯一的答案。梦想能够点亮人生的意义，热爱能够搅动世界的齿轮。篮球绝不是一个人的战斗……
剧情概要:一个女律师忽然患有阿尔海默症。逐渐变得痴呆,与父亲相互依赖的故事
心痛如绞，虽然结局强行温暖，但病依旧在，还越来越恶化。人间啊
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