Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
好想抱抱敏感多疑的Hardin啊，仿佛也看见脆弱的自己。男女主的爱情故事里很多情节都和我们好像，可惜我们却已经有了不同的结局。
一些小细节还是有触动，比方男主为什么不陪女主去西雅图，那是他最想要的工作，果断拒绝的原因是当时不知道女主也要去。
狗血爱好者表示这种二十年陈年狗血大可不必，不如拍成A片对大家都好
有钱人都不用烦恼工作的事真好。但是他们会有各种作死作活的方式来令自己的生活充满痛苦哈哈哈。这电影突然像美剧一样了，编不下去了还硬要编下去，结果越扯越狗血。但是怎么办，出了第四部我还是会继续看的哈哈哈哈
P.P.S片中片尾都用了Overture 1812，瞬间带回了经典片子V for Vendetta啊，英式花式炸parliament巅峰
还好，没把我家教员放进牧羊人组织，赏一星。跳着芭蕾杀人好看，赏一星。把残腿舔好，这是最高级别的舔狗了（喷饭的编剧），也不知道编剧是想侮辱什么宗教人士。
这次轮到对trust过敏了
才知道出3了，这一部完全就没有什么剧情可言啊，就连最后是他爹都能轻易猜到。女主好像袁姗姗啊救命🆘，男主有时候还挺帅
咦，怎么越来越好看了，hero变帅了，演技也变好了，等4
很明显位置不对啊！
全片属于是勉强及格的水准，节奏确实有些拖沓散乱，动作戏的风格也没有做到和前两部一样独树一帜【可以说是并无特色】
伏地魔还是很有演技的！这不就是活脱脱的富二代男吗？跟我身边那些留过学的富二代一样！女主比前面几部胖了一些，少了几分清冷的感觉。为什么女主身边有各种男生挑战男主吃醋的极限？
如果把一战拍成富春山居图，但恰巧遇到了苇名一心，大型历史历史过家家《只羊》。老1812了，今日…父承子业，替子从军
这次轮到对trust过敏了
求求你们美国人整点自己的历史吧，别天天意淫别的国家了。
出4照样看…只是为了看颜值了………剧情………嗯，wattpad水平
从故事的精细和复杂程度来看，前半部分真的没必要铺排得那么久
就……反正……emmmm……我多看两遍暮光之城不好么
这部就解释了男主toxic完全是因为原生家庭啊……Go get a therapist, everyone.
别总是你追我跑再见面和好
Copyright © 2015-2023 All Rights Reserved
