With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
谢苗的又一部，据说第二部已经杀青了，简单的故事情节，不动脑子的时候拿来解闷也挺好的。
小成本国产佳片，网络大电影中属于顶尖，有点意思！演员演技在线，武戏实在，拳拳到肉，绝对的专业！希望团队多出这样的片
看着还不错啊，虽然制作有点粗糙，但是打斗还是挺精彩的，多拍几部能形成系列就好了。
我们也可以有个人英雄主义！！！！肖老三让我想起小说《年华》的男主角，给美国唐人街帮派当会计和智囊，只是没有肖老三那么阴险
剧情和动作设计都一般般，毕竟是网大，还凑合
谢苗的打戏是真不错，小成本网大也在尽力拍出质感，给他一个大制作，我感觉他能成为下一个吴京
现在看不了没内涵的片子，真的只有有难度的东西才有意思，只有烧脑的东西才有意思
片子是好的，谢苗长大了也帅，就是东北黑社会真这样吗
剧情简单了一点，但拳脚功夫实打实确实看的挺爽的。
谢苗在网大的道路上一去不复返了，但这效果还是可圈可点的
拳拳到肉的感觉是真的爽，这不是一部全部精华只局限于短视频的电影，虽说故事结构简单，接地气，但是真的精彩，剧情紧凑不拖沓，完全不觉得无趣。
本片的动作场面虽然不够精致，篇幅也有限，但硬核度足够，写实性的打斗偏甄子丹的实战风格，尤其是结尾大巴内有限空间里的生死对决，创造性及观赏性形成的性价比极高，在一众网大里也算出类拔萃，毕竟这种比较写实的打斗动作戏还是比慢动作的装逼动画强得多。
尽管如此，也逃不过该有的硬伤，谢苗的人物过于脸谱化，像这种带一点顽劣不羁元素的正义形象，理应早就不该被用来塑造主角，因此片中谢苗的性格一展露，就显得俗不可耐。故事的冲突其实安排得很好，但中间少了对案情或犯罪者的深度分析，仅靠几段追逐和打斗就草草收场，因此在氛围上没有营造好。
谢苗是真帅，要不是长得不帅，真的能红起来。。演技也不错，就是剧本差点
投资不过山海关，这是全国人民和全国导演的共识啊
刚开始那三兄弟多牛逼，后来那么拉，就这智商？
前半段有点《扫黑除恶》的感觉，后面从肖老二开始就有点像《导火线》得感觉，细节不用吐槽，一部网大电影已经很出色了，谢苗加油!
没有怪王治不了的疤瘌头，谢苗你草率了，等你老丈人动手也不迟啊
还可以啊。电影就该好好讲故事。不用刻意生硬技巧。
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