The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
前半部分挺好，又温馨又温暖；后半部分陷入了无序的没有目的的沦丧中，最后的重回正轨感觉也很草率。
小男孩JR的童年中虽然父亲缺位，但是身边有查理舅舅这么一位角色充当了其人生导师/朋友/家人/心理咨询师的位置，（but！绝不是充当了父亲的位置。）
没评论说的那么难看，一个警察是懂规则的类似训练日的故事。逻辑上确实有点硬伤。这么有钱的警察还穿的这么招摇，不被调查才奇怪。
这个酒吧给了JR一种Alfredo对toto的温柔
JR跟女友父母吃早餐那个场景 我都替JR感到尴尬
其实偶尔看看这种平淡的电影也不错，适合度过下午。不过感觉男主和剧本都还差了一点味儿
装腔作势了半天，剧情混乱到无法收拾，最后强行反转几下也没翻身
3.5/5
赵震雄霸气侧漏，实力派一个稳字。题材比较新，内容有点飘
这部电影可能更多的意义是提供了回忆录视角：如果当下已经足够难堪，何不回头遥看来时的人们如何珍视。大本最后一幕戏就像他在《心灵捕手》里一样动人。“不要回来”。
The Tender Bar script is based on the best-selling 2005 memoir of the same name by J. R. Moehringer, which tells the true story of Moehringer's childhood growing up in Long Island, New York in the 1970s and '80s.
要知道在中国古代，大家族如果要分家往往都是舅舅来执行分家仪式，万万没想到乔治克鲁尼一个美国人居然拍了部关于舅甥情谊的电影，最后舅舅还真买了辆车给外甥，也许这就是人类共通的感情？只可惜整部电影太过平淡，完全没有高潮点，所以只能给个三星了。
lucky sperm club
dancing in the moon light，大本状态很好很帅，片名虽带有酒吧，但并不是主要聚焦在酒吧
Only need to prove to yourself, with something back you up...
本阿弗莱克做制片和编剧是很可以的，但非要跑去演戏。大家是对的。
泛黄的书页里找到了父亲。
温馨平淡又不无聊，而且没人能拒绝这样的舅吧
老乔居然能导出这么细腻的电影，大本最高！
Tye长这么丑了？
Copyright © 2015-2023 All Rights Reserved
