Future of Food In the past year, we have seen food riots on three continents, food inflation has rocketed and experts predict that by 2050, if things don't change, we will see mass starvation across the world. This film sees George Alagiah travel the world in search of solutions to the growing global food crisis. From the two women working to make their Yorkshire market town self-sufficient to the academic who claims it could be better for the environment to ship in lamb from New Zealand, George Alagiah meets the people who believe they know how we should feed the world as demand doubles by the middle of the century.
【India】
George joins a Masai chief among the skeletons of hundreds of cattle he has lost to climate change and the English farmer who tells him why food production in the UK is also hit. He spends a day eating with a family in Cuba to find out how a future oil shock could lead to dramatic adjustments to diets. He visits the breadbasket of India to meet the farmer who now struggles to irrigate his land as water tables drop, and finds out why obesity is spiralling out of control in Mexico.
Back in Britain, George investigates what is wrong with people's diets, and discovers that the UK imports an average of 3000 litres of water per capita every day. He talks to top nutritionist Susan Jebb, DEFRA minister Hilary Benn and Nobel laureate Rajendra Pachauri to uncover what the future holds for our food.
【Senegal】
George heads out to India to discover how a changing diet in the developing world is putting pressure on the world's limited food resources. He finds out how using crops to produce fuel is impacting on food supplies across the continents. George then meets a farmer in Kent, who is struggling to sell his fruit at a profit, and a British farmer in Kenya who is shipping out tonnes of vegetables for our supermarket shelves. He also examines why so many people are still dying of hunger after decades of food aid.
Back in the UK, George challenges the decision-makers with the facts he has uncovered - from Oxfam head of research Duncan Green to Sainsbury's boss Justin King. He finds out why British beef may offer a model for future meat production and how our appetite for fish is stripping the world's seas bare.
【Cuba】
In the final episode George Alagiah heads out to Havana to find out how they are growing half of their fruit and vegetables right in the heart of the city, investigates the 'land-grabs' trend - where rich countries lease or buy up the land used by poor farmers in Africa - and meets the Indian agriculturalists who have almost trebled their yields over the course of a decade.
George finds out how we in this country are using cutting-edge science to extend the seasons recycle our food waste and even grow lettuce in fish tanks to guarantee the food on our plates.
He hears the arguments about genetically modified food and examines even more futuristic schemes to get the food on to our plates.
如果这就是流放生活，有海鲜吃、有欧巴桑陪、有书读、有徒收，我也很想被流放啊……
读圣贤书,所学何事?而今而后,庶几无愧。文人两条路，此片意思是只有一条行得通。
看完边吃火锅边写下这些，思绪仍然沉浸在兹山岛上，回味着观影时起鸡皮和捂嘴惊叹的时刻。
震撼、愤怒、敬畏，印度在很多人眼里依然落后贫穷充满犯罪，但这个国家敢于正面自己的缺陷，总好过一片歌舞升平，把肮脏龌龊埋葬隐藏。
杰伊是印度语万岁的意思，比姆是印度宪法之父。电影关注底层，不畏强权，伸张正义，敢于控诉种姓制度，揭露黑暗。刑讯场面过于血腥恐怖了。律师如圣人，据说这一人物是真实存在，仅仅6年时间就主持了96000起不公案件，打破阶级和不公，为无数被冤枉弱者找回正义。
我们中国，连个这样的古代电影都没有，想到这儿，我哭得更严重了。
黑白影像很独特，韩国的历史片也是不多见，只是拍着拍着，后面的剧情就有点平淡了。
虚无主义看世界不需高谈阔论就或因一鱼谱即可观大千
拍得有点“卡通”，但这部电影……或者应该说是这个故事里被侮辱与损害的人，以及这位律师，真的非常了不起。
2022-06-27
这是一部非常韩国却最没有韩国味的电影。黑白摄影，时不时让我想起《罗马》，这个基调却是明快纯真的。所有演员都撑得起这部剧，表演也没有那种韩式夸张感，即使那唯一的搞笑担当，也是克制内敛的。简简单单认认真真的讲一个故事，这部剧做到了。
文王既没，文不在兹乎？韩国人刻画的高士流放博物志。电视剧般的调度和剪辑稍有不适，但仍有几个机位十分的小津，怪不得有评论说片子是一首苏东坡之歌。淡水之味，海胆之味，粟米之味，高洁与狡黠的生存之道。一次次追问书生立于庙堂山野之“人”的理想。儒学与现代性的暗流涌动，由真理之溪汇入情感之海。飘然的诗句，在污泥中悟得此生之义理。
看完只想说，还好还好我生在中国，要是在印度，真不是人过的日子😂
很聪明地用黑白影像弥补了整体韵味的不足，不过制作还是太现代，尤其配乐好突兀，碎片化叙事也偶尔让人摸不着头脑，最惊讶的倒是第一次看见正面砍头的场面
一次灵魂洗澡，洗得非常透彻，瞬间觉得自己面目可憎。
魟鱼要走的路，只有魟鱼知道；鳐鱼要走的路，只有鳐鱼知道。
4.警察的那一套为了正义的暴力执法逻辑是真的恶心到了，都做到这位置了，警察局什么样你不知道？跑去听村民诉苦的戏码实属多余.
意识形态色彩过浓，全靠CP思路增添娱乐。不过拍成这样已经不错了
聖人們寫經傳法典的時候都是一片赤誠，可哪知道後世會是什麼樣。後來的虔誠追隨者都聲稱自己熟讀經典，可有的嚐到的是權力，成了衛道士、保皇派、堅定的各種家；有的讀到的是慈悲，稱聖賢若要讓我如此待人，不惜背棄神佛諸子…可影片後面就沒有怎麼展開了，雖然講“知識分子接受貧下中農再教育”[褒義]的故事本來也是很有意義的，可是故事覺得有點飄。不知道史實怎樣，若是拍成昌大、可居嫂等等“賤民”通過大哥的書信與弟弟筆戰論道，戳破精英的美妙空想，感覺都更能達到目的。另外，感覺全程在看焦晃老師出鏡呢…
就好好的说人说故事 不要什么大场面大特效 才静人心 思考
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