Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
深究起来其实bug很多，不过这么奇情吊诡的故事确实很有90年代情色悬疑片的感觉，但是说白了这还是套了一个悬疑外壳的soft porn。故事到第一次反转结束就很好了，还有那么一点发人深省，非要自作聪明再反转一次，实在是牵强且画蛇添足…刘承羽真好看啊太喜欢她了~
虽然对面楼的是两个辣鸡 但是这个女主也太恶心人了
故事很简单结局也比较俗套，但是电影的魅力得到了充分的利用，即使故事很好猜，全程都很有气氛很让人紧张，而且是很特别的情色悬疑。除此之外，几个主角不是一般的迷人。
将将三星的悬疑感，但是女主的胸好美，腰臀间隐约可见的丁字裤晒印也是性感到要命，就为这该死的偷窥快感勉强加一星吧。
这真是一部让我从头到尾心理上都极度抗拒厌恶的电影，女主角尤其令人讨厌，而她却成为最后赢家？摄影师夫妇可恶吗？远没有女主让人讨厌，纵然剧本构思巧妙，反转又反转，整体逻辑也算顺畅，但人物动机过于牵强，可能唯一的优点在于两个女角的胸器都挺美的，摄影师的身材也是一流吧
我现在，应该能理解，女主最后洞悉一切，她这一生也就完了。 心里迈不过去的。
现代预言。结尾反转，像是用“不合理”解释“不合理”，前半部分还是很好看的。
片是好片，但为什么会有脑残在影评标题里就剧透全部剧情
故事看得令人心疼，流泪。父权/男权社会离我并不遥远，像导演开篇说的，让我们一起记住如今的自由从何而来。
这种电影学院速成两年的剪辑还是少学点吧
(7/10)反转部分有点夸张不过也能圆场。剧情及格，女主单独+1分。网飞把拍爆米花科幻片的投资拿来挖掘女主这身材颜值的演员不好吗？
剪掉最后10多分钟的戏，不要自赎，不要复仇。
眼睛只有两只，看点该看的，不该你看的别看。
好复古好病态，喜欢颗粒感的画面。梅拉尼做导演也能有模有样。
双向后窗了属于是，小尼哥这就自杀了是我没想到的，不过女主是真的顶。
当你凝望深渊的时候，深渊也在凝望你。当你自以为是“上帝”的时候，你早已落入“上帝”的圈套。如果没有结局的“复仇”整体会更好。
新时代的后窗，文火慢炖一样地渐入佳境，女主的美好肉体做到了从一开始吸引人看下去的支点，到第三幕锦上添花的惊艳，希区柯克真的到现在还在教别人拍电影，效果比夜班服务员这样不入流的廉价惊悚强多了。
无意中看到这个片的资源，截图介绍里有女主福利就看了下。第一感受是窗帘是个好东西，想起尼采的《善恶的彼岸》一句很经典的话：“凝视深渊过久，深渊将回以凝视。”
推进很刻意…只有老实人受伤的世界达成了。女主真好看啊。
刘承羽好看！女主也太大了（并低头看了看我的）
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