Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
一群可爱的甜甜圈小怪物菲拉萌 讲的大概是时空穿梭记录绝版动物，每个动物都超可爱！然后也有贴近现实的历史剧情设计，总的来说很治愈很可爱 值得一看
还行，就是最后结局扎昆死的好快啊，都不适应电影这么快的节奏了哈哈哈
有些人说作为网大电影就可以了，网大就应该凑合啊，可惜了安志杰。。。动作场面马马虎虎，剧情就更甭提了。。。演员一个个一看就是在演电影。。。
杨杏和祁圣翰的疯批样子很迷人啊 特别是杨杏的疯批复仇人设太带感了 很是出彩 打戏蛮精彩的 不过情节真的是一言难尽 一些地方不清不楚的 主角光环实在是太严重了 强行HE也是我个人不喜欢的 不过我愿意为杨杏的表演加一颗星
不仅剧情扯，连动作也毫无看点，是谁说的好看的？
这剧情和演技，简直就是真人版和平精英……多一星给希娜，太帅了疯批姐姐我可以！！😍
没想到最抢眼的是女一号“疯婆子”，安志杰都被盖住了，小丑女+杀死比尔附体，这一路杀得很爽。
毫无逻辑！里面的人怎么普通话、上海话、英语乱七八糟都说啊
就算槍戰，打斗，運鏡如何精彩，掩蓋不了剧情硬傷这事實，可惜～！。一个盲人可以自理已是奇跡，还可以深入虎穴和坏蛋槍战惡斗，太不合理吧？！槍林彈雨就算正常人都挂了不止几十次啦，可況是看不見的，唉～～
因为对安志杰的观感不是太好，看到片名的时候，好几次略过去了，今晚闲来无事打开看看，竟然还不错。虽然剧情主线还是稍显老套的退役警察勇闯虎穴救女儿，角色设定为因指挥失误导致失明且被警队开除的设定，是俗套，但本剧因为里面有个女反派惊艳表现，让本剧与一般的警匪片有了决然不同的氛围。安志杰的动作戏依旧精彩，文戏方面与其剧中的女儿毫无父母感，但是也不太突兀。而利用男主去剿灭仇敌，并想最后杀掉男主的反派女主角，才是本剧中最惊艳的角色，女演员杨杏饰演的杀手吉娜，动作流畅，眼神邪魅，充满了戏剧魅力。本剧动作场面自始至终，剧情虽不复杂，但是节奏很快，比某多数剧院电影更值得一看。
动作戏枪战戏看起来好热闹，实际上假的离谱，狗屁不通，毫无逻辑，烂的程度没有词来形容。
#7916看过，With Chao 11。 可是除了弱智真的挺好看的啊哈哈哈哈哈笑点不断，cc的审美绝👏。
剧情单一，为了救女儿而斗坏人。除了安志杰其他角色演的太僵硬了，面部表情夸张的就像绷不住了一样，打斗动作设计的先不提，镜头晃的那叫一个恶心，打就打老晃个毛镜头，晃你也是跟着人物走，人物打斗本身都没出一个画面，画面却开始震动摇晃了起来，真垃圾。人物设计风格就跟超能力环境下的漫画一样，押送个女主还得带上口枷，四个人用链子牵着。偶尔明显的露一下大腿露一下胸脯的，太掉价了。
安志杰有动作巨星像，没起来可惜。多拼一拼动作片吧，打磨一些个人动作风格
虽然剧情、细节漏洞一堆，但打斗、枪战意外得还行！
三分给国际化电影配乐和打斗场面。
影片在动作和特效方面还可以，主要问题都在人物刻画和画面营造上面，杨杏和张亚奇明显是想塑造成小丑和哈莉奎茵那种神经质雌雄双煞，可惜用力过猛了，卫生间的铺垫有些鸡肋，而法院的展现显得特别夸张；而作为大男主的安志杰在一众呆板可以的任务当中，显得演技很是在线，但是为了塑造这个角色的成长，整体上有些偏于逻辑了，这方面不赖他，编剧的问题，而导演的问题是画面语言的处理过于潦草，没能将故事讲的简单明了，预告片不错，正片跑品质也就五分的样子吧……
这个比较适合小孩子看，比较童真，笑点还是有的，还不错。
剧情略有些硬，搞笑不错，中国元素丰满但是都是外国制作人
如果对电影品质有一定的要求，那最好不要浪费时间。
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