The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
叙事技巧高超，但内容还是脸谱化的政治正确。
千名英魂万卧底，十年断层一镜隔。
小雀斑最后陈述的时候我眼泪一下就流出来了，还是那个Aaron Sorkin,那个心中充满理想主义的艾伦索金。不旺我用The Newsroom做屏保这么多年。比茉莉牌局导演视角更成熟，纯文本的庭审记录为基础，也更能发挥他的优势/世事时代自有评论
The whole world is watching!
Best liberal porn in a while and had a nice shout out to Brandeis lol.
灯塔宣传片，压根就是个广播剧，明显不过的意识形态输出
每个人的出生决定了斗争的方式，甚至结局。Abby挺让人唏嘘的
PS：昨天看“八佰”，今天看这个，我突然觉得中国为什么要宣传反战，中国近现代根本没有对外发起过战争
插画师定格住历史性的时刻和一张张激昂的面孔 而需要看精神科的Hoffman法官只配在那里敲个槌子
没有修正，就不会改变。
公知笔下的灯塔国🇺🇸可真是老police state了，民主沦为政治工具since forever。
历史总是不停重演，抗议是个说不清的复杂话题
历史是任人打扮的小姑娘，电影中的历史是，电影本身也是，时过境迁，蒙娜丽莎都有千万种神态。
3.5，结构能联想到《十二宫》，索金显然从芬奇那里学到了很多。影像上营造的表现力显然高于事件本身，雕刻痕迹也更重。
顺便借古讽今
如果喜欢《社交网络》，那么这部片子肯定对你的胃口。
David Dellinger
当警察摘下警徽…
看的同时想参与他们的活动…头一次觉的游行这么有价值
大选之前上线，再应景不过。每个人都有发声的权利，“全世界都在看”，嘤嘤其名，求其友声。
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