The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
把电影套路成了杀时间肥皂剧。可以一边做饭一边当背景音，看了一半第二天继续看也可以，完全没有立刻需要看完知道结局的感觉。因为都是套路。
五星的故事却被拍成这样，抬头一看迪士尼……
有美国宗教或者征兵宣传片的调调，缺少戏剧张力和冲突。
科幻可以不必烧脑，金句：有时只是愤怒比难过更容易。
流水账，无共情，强煽情，不热血，看了一半就开始想快进，唯一值得给分的点可能就是励志题材和真实改编...
anyway， for the sake of the family ……这种套路真是乏味至极，尤其是科幻设定也很简陋的情况下。
感觉就是 只展现了一些戴妃的“症状” 但不分析病因 也不给好好治疗 看得我又难受又无聊
比预期好太多，本来想着也就是中规中矩的合家欢科幻喜剧，但是没想到在这一基础上的亲情线，处理得非常令人惊喜。最后十分钟无论是父子线、母子线还是夫妻线都很动人。网飞春季重头推这样一部原创科幻还是有原因啊。
为什么看过的人那么少？
kirsten与生俱来的那股手足无措劲很适合演戴安娜，这次其实真的是她一个演技巅峰了，但她在传达一些困惑，脆弱，神经质类似情绪的时候经常带有一种不确定，如果能再多一点顽强和坚韧这个角色就立住了，还有一使劲大喘气说台词头就要往前倾一下，真实的戴妃也是这样的么？
好电影！！！
贫困家庭因交不起房子被换锁 爸爸好不容易斥巨资买了两双球鞋 兄弟俩竟然冒雨开光 导演是觉得我是智障吗 这电影为了热血和气氛 还有没有点人性的逻辑了
enjoy yourselves it’s later than you think
看样子不是一个反面教材的影片，这种人出电影会教坏小孩子的。
最近莫名各种接触希腊，希腊的书希腊的电影。字母哥还是励志的，这片子也从一些角度展示了选秀的过程，挺好。
把光剑还有打斗的部分去掉，增加一些家庭戏会更好一些
尽管我不喜欢字母哥，却不得不尊重他，
不得不说黑人的家教环境真好，“孩子还小无法看清未来，有个好的父母，他会帮你看清未来。”这是多少家庭需要学习的。不得不说一部好的电影，真的可以吸粉很多，“字母哥”传奇还在继续。不得不说天赋还是次要，家庭环境还是第一位，所以一代球星，二代多为庸才。
His indifference to her effervescence is colder than the wintry air; her strength to endure the frustration is greater than the cloistered castle she has to bear. Hiding her masochistic pleasure in the dark, while seeking a silver lining in the past, she lets her dilatory compliance fly in the face of anachronisms. If she can sprint to a family party in her stilettos, why can't she flee to the future of self-reconciliation?
网飞会不会毁了电影我不知道 但是这种网飞大数据电影一定会毁了电影
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