Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
新兰yyds！太甜了太甜了，时不时会去重温一下！
追了20+年的动画，少年都变成了大叔，磨磨叽叽的高中生男女主终于kiss了，纯纯的校园感情让人梦回青春年华，片尾听到仓木麻衣的《きみと恋のままで终われない いつも梦のままじゃいられない》真的是无比感动，真心希望柯南早点有一个完美的结局，但又很希望一直不要完结！
多少年不看TV版看这个完全没头没尾，不是一直在交往吗…整体观感还好，作案手法过于设计，死者之一好像阿部宽，最后的一吻其实比较无感，最后仓木麻衣的ED好评
上次出院以后近一年来写写景描描情收收稿费四平八稳没得事，刚开始编故事没两天就突然吐得像个坏掉的消防栓，只能坨床上像摊颜色丑陋的史莱姆。这种时候还能干些什么呢，除了看柯南还能干些什么呢(´∀`)（喂！）
第二季
最近疫情在家，疯狂的补柯南，本集的杀人事件编排的不错，剧情挺饱满的，杀人手法和动机很能打动人，让人在感动之余又为剧中人感到遗憾和惋惜，都有90年代柯南的那种感觉了。青山刚昌太会讲幼驯染了，新兰真的好甜，恭喜世纪之吻定情，终于交往了！就是压力又来到了平和这边，平次你支棱起来啊！
hhh，槽点很多，不能理解的剧情，但是看到新一的小兰在一起了，很开心10分
重温
文戏在漫改电影中超越《守望者》
果然现在本格就是个屁，什么江户川乱步什么柯南道尔，都比不上新兰一吻
等了很久，新一和小兰终于在一起了，很喜欢名侦探柯南
院线版到底剪掉了多少东西 灯侠 囧叔 四代原子侠 达克赛德的欧米伽射线 丑爷 就连钟叔的部分戏份等等 每一个本都会是爆点 然后补拍了特效挡胡子的大超？然后唤醒大超的路易斯是plan B？果然导剪版更加完整 人物的成长也更加合理 小闪出场那段真是超级可爱 然后迟到伤腿平地摔样样都有 真的想对他说：run！Barry run！以及如果还有下一部真的要拍不义了？真的是有点大艹 已经开始期待了
6-10合集。虽然鬼灭好看，但花头精过多了。每次看到以为是新剧集，白高兴一场。
【2020-1-1】这是部电影吗？我怎么记得是在tv版里看的…五星全给案件哈，柯哀党真的无语至极，青山怎么就喜欢这种傻白甜圣母啊，能不能换换口味，几个cp的女主放一起那不就是连连看，无言无语无可救药，逼我喜欢反派，窒息。
很尴尬，扎导把蝙蝠侠身上所有的与其他英雄所不同闪光点全部削剪，只留下“我很有钱”的玩笑话，所谓的正联智囊、永远留一手后备计划的挂比在扎导手下仅仅是正联团队里一个有钱的普通人而已。
啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊当然在交往啊！啊啊啊啊啊啊啊啊啊啊啊啊啊啊值得！二十年了！新兰永恒！啊啊啊啊啊啊啊啊啊啊啊啊啊啊我也等到这一天了！这是个纯爱故事吧？到现在还只是亲脸？比较返璞归真的故事，没有大爆炸，没有反科学，开心。
更重要的是还有新兰撒糖
看完知道为什么这么高分了，不过推理部分也确实可以，希望剧场版以后也增加推理并给大家发糖。
EP.11-14 《鼓屋敷篇》
案件虽然有点拖但也很好看~
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