Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
可以了，真的可以了，一个网大拍成这样，如果都这样那真是未来可期了，剧情还挺饱满的，打斗场面也够丰富，鸡蛋里的骨头就是没有拍硝烟的画面
开篇节奏不错，对被骗的受害者能产生点共情，后面情节就脱线了。
林则徐认为，既然不能阻止鸦片在国内流通，那就不要让钱财再让外国人卷跑了。而且当下清朝已经没有什么钱财了。所以林则徐看到了鸦片的暴利，所以，他就提倡在国内种植鸦片来抵挡外国的侵略。这样，外国的鸦片在国内就没有市场了。
因为谢苗，对网络大电影有所改观，对于小成本电影来说制作已经很良心了，而且颇有李连杰时代武打片的那种味道。
和灵魂没任何关系。仅说剧情还不错，节奏紧张。
为妻报仇，千里追凶
聚焦电信诈骗，属于悬疑科普电影。不仅很紧张，也很有现实意义。可以试试给老年人观看，防电信诈骗效果绝对不错。
电信诈骗题材不好拍，韩国能拍成这样已经很不错了，至于滤镜也没有阴间啊，有些人人太过于敏感了吧
故事平平，但是能关注这样题材比较新颖了。男主太像富大龙了
华继良和何世清那场戏楼的戏有点清代《毒战》那味了，从套路来讲是包装上爱国情节的反毒剧，演员真的都很不错，网络剧情拍成这样真的够良心了
主演是当年跟着李连杰演打戏的小孩哇。
从剧本上说 这个是最好的防止电信诈骗的电影
让人惊诧的高质量网大。难得是剧情饱满曲折的同时，实现了历史深度的贯彻。林大人好慷慨大义！可看性感染力甚过大片《鸦片战争》。不过同样重头的动作戏没有太亮眼的设计。谢苗刘峰超两位练家子也没碰出什么火花。反而还是和杜玉明的决战戏味才浓烈一点。
为妻报仇，千里追凶
感觉里边的诈骗案很好发生，人很容易被骗，影片的立意是好的，但是感觉内容过于简单了，真的通信设备这么容易就被拦截，然后想转到那里就转到那里吗？知道自己的老公出事，就算是和解也应该在警察或者相关执法人员的见证下和解吧，直接把钱给出去，不怕对方反悔的嘛，诈骗犯说让你去死你就出车祸，这个也有点太牵强了，就算是自己失魂落魄，难道司机也不注意一下吗？
诈骗手法高级，警察也给力，被骗的钱能追回来
让人惊诧的高质量网大。难得是剧情饱满曲折的同时，实现了历史深度的贯彻。林大人好慷慨大义！可看性感染力甚过大片《鸦片战争》。不过同样重头的动作戏没有太亮眼的设计。谢苗刘峰超两位练家子也没碰出什么火花。反而还是和杜玉明的决战戏味才浓烈一点。
鸦片之患 流毒天下 总要有人救民于水火 即使你我未能成功 后来人也会前赴后继 去成就一个 没有鸦片的安康盛世。与有荣焉
情节紧凑，剧本质量不错，对群众有一定教育防骗意义。
对于韩国电影的敢拍，我服，一分扣在中国滤镜
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