Shortly before he is to wed, millionaire John Willis is visited by Dr. Harry S. Blair, a psychiatrist who informs him that years before he was married to Nancy, John's wife-to-be, and warns him that she is mentally unbalanced.
Blair then relates the following story: After a whirlwind romance in Florida, Blair marries Nancy and starts a psychiatric practice in New York. One day, artist Norman Clyde comes to his office and tells him that an innocent man is about to be executed in Sing Sing Prison and that Nancy is the cause of his unjust incarceration. A distraught Clyde then explains himself to a curious Blair:
Three years before, Clyde meets Nancy, whose maiden name was Monks, when she enrolls in his art class. The moody Clyde soon falls in love with Nancy's honest charm and beauty. Nancy, a secretary, introduces Clyde to her boss, millionaire Andrew Bonner, and persuades Bonner to showcase Clyde's paintings at one of his private showings. To Nancy's delight, Clyde's painting, a depiction of the tragic figure Cassandra for which she modeled, wins first prize at the showing. The evening is perfect until an expensive bracelet is stolen from a guest, and Clyde later finds it in Nancy's purse. After Clyde confronts a confused Nancy about the theft, she relates the following story to explain her behavior:
As a young girl, Nancy lives with her housekeeper mother in the lavish Willis home and plays with Karen, the Willises' little daughter. Although Karen wants to invite Nancy to her upcoming birthday party, Mrs. Willis refuses to allow the lower-class Nancy to attend. A true friend, Karen promises to give Nancy one of the pins her guests are receiving. When Karen realizes there are no extra pins, however, she offers Nancy the beautiful locket she has just received from her mother. Nancy's subsequent joy is soon crushed when Mrs. Willis demands that she return the locket. Later, the locket is discovered missing, and Nancy is accused of theft. Although Nancy's mother soon finds the locket in Karen's dress, Mrs. Willis refuses to believe Nancy and forces her to "confess."
The adult Nancy then admits to Clyde that this childhood humiliation caused her unconscious desire to steal the bracelet at the party. After a forgiving Clyde returns the bracelet anonymously, he and Nancy continue their romance until the next party at the Bonners'. Suspecting that the absent Nancy is spending the evening in Bonner's arms, Clyde leaves the party to look for her and sees her exiting Mrs. Bonner's bedroom just after two gunshots are fired. Bonner is found murdered, and Mrs. Bonner's diamond necklace, stolen. Although Nancy and Clyde are questioned, valet Myron Dexter is eventually found guilty and is sentenced to die. Clyde, however, strongly suspects Nancy, but she angrily maintains her innocence and leaves for Florida.
Back in his office, Blair defends Nancy to Clyde but invites him to his house that evening. When confronted, Nancy denies everything and tells Blair that Clyde is merely jealous. The next day, Dexter is executed, and a guilt-ridden Clyde jumps from Blair's office window to his death.
To avoid scandal, Blair and Nancy move to England, and after World War II breaks out, Blair volunteers his medical services, while Nancy becomes an ambulance driver. Expressing concern over Blair's health, Nancy insists that they take a vacation at Lord and Lady Wyndham's manor house. Just as they are leaving, Blair learns that one of Lady Wyndham's valuable jewels has been stolen. Blair suspects Nancy but is unable to prove anything until a bomb destroys their flat and reveals her cache of stolen jewels.
Although confronted directly, Nancy continues to deny any guilt and divorces Blair after he suffers a nervous breakdown. Back in John's study, Blair, like Clyde before him, tries to convince John to abandon Nancy, who now uses the name Patton. John, however, believes Nancy when she tells him that Blair is still suffering from his breakdown.
Moments before the wedding is to start, Nancy's future mother-in-law, the unsuspecting Mrs. Willis, gives her the same locket that she once took away, and tells her that it is a precious family heirloom. The locket causes Nancy to be overcome with guilt, and she collapses at the altar in hysterics. As Nancy is later taken away to an institution, John sadly realizes the truth of Blair's story, but determines to see Nancy through her crisis.
槽點多得短評裝不下，這麼Reckless有勇無謀對自己設計的工具都不熟的蝙蝠俠能活到第二年我是不信的，直接看我的长评吧：https://movie.douban.com/review/14257804/
视听体验极好，夜枪闪现、追逐戏等几个地方都极令人兴奋。结尾选择让老爷自提火炬，独占光明和黑暗，这其实不是很好的选择，但也不过不失吧。冷峻的、硬汉推理的风格铺陈到位，在影院直呼好耶😆
孙道临的英俊让我突然想起格里高利派克，除了有些语言听起来别扭，60多年前的看电影还真是出人意料的好看，致敬
我一直不太喜欢超级英雄电影，唯一喜欢的就是蝙蝠侠，因为他是最接近人的一位。我不相信一个外来的超级英雄，因为有了超能力，就能一劳永逸地解决人类的痛苦。人类的痛苦无法根除，唯一的途径是理解。而我不认为那些高高在上的超级英雄能够理解人类痛苦的本质。这部新蝙蝠侠里的布鲁斯韦恩比以往任何一部都更脆弱，更接近人，他会纠结痛苦，也会迷茫怀疑，打架的时候甚至还有点狼狈。但也正因为此，他才能理解普通人的痛苦。我相信他最后会找到答案，他最后找到了答案。
那个年代的电影，人物的眼睛是有光的：那个年代的人，有最高的理想，有共同的追求。反思当下，大家只是追求钱等物质，无太多精神方面的追求。那个年代的演员，放在当下看还是很帅很美的（PS：期待今后有更多黑白转彩色的电影上映）
哈哈
8分差不多吧
研究生毕业的时候写的王苹的导演艺术，那时候的学习很懵懂，但是王苹的作品感动了我，她的作品漂漂亮亮，人物有情感、有层次。这么多年后看修复和彩色版，觉得主角配角都鲜明，尤其是两位配角还有着30年代上海滩的特制，过瘾。
最后一句电文是最大亮点。
最喜欢降落失败摔到地上的情节。本片塑造的蝙蝠侠不是一般超英电影那样超神、帅耍，而更加像真实的人，也会不时被普通人一拳打到歪头。像极了我们玩游戏时，就算控制的主角是超级英雄，也会有被人打中、失手的时候。
万万想不到最后能在影院里看到新蝙蝠。。。摄影风格和something in the way好搭啊，一秒戳中！都挺好，就是感情线真的尬，嫩牛五方的嘴巴和牙齿本来就不好看，还非要亲，看得我想捂眼。
电影里男女主角手都不碰一下的两人，居然能生出孩子？
开头白小姐的桃色旗袍多惊艳啊 (♥∀♥)
彩色版是真的动人，成功塑造了一个革命英雄，令人肃然起敬，爱情与革命情谊的同构。不过 非常有意思的是，由于时代的原因，在伪装阔太时一定得是充满不适与批判的，因为是先进的工人阶级。孙道临玉树临风，田华娇俏可爱。
一旦能沉浸在马导所建立的那种介于哥特与现实的氛围感中，这部3小时的电影就不会显的那么漫长。这也是这部片的最大的优势：氛围感，以侦探片的外壳让蝙蝠侠带着观众去感受哥谭市阴郁和肮脏的气质。之前从来没有人想过让蝙蝠侠的脚步声成为街头黑暗中制造恐惧氛围的手段。全片就像是《漫长的万圣节》的翻版这一点是最让人激动的。不满足的一点是因为过多的角色导致本来属于蝙蝠侠对立面（剧本角色设置上）的谜语人得不到充分发挥，剧本赋予角色的性格更多从而感觉浪费了保罗·达诺这么好的演员，说真的最后感觉企鹅人是全片最有魅力的反派！他才出场15分钟！第二点就是全片停不下来的配乐，就算配乐再怎么好，很多很多场景也无需配乐渲染，更何况这是部近三小时的电影。
从反派的视角刻画蝙蝠侠同样通过传播恐惧来实现权力个体的正义、蝙蝠侠与谜语人的非自愿合作揭开哥谭市的藏污纳垢，都是本片构思的出彩之处，而同样的，这些妙笔也被探询室布鲁斯的一通大吼“你是个精神病怪胎，我跟你不一样”给弃置了。以及，腐败成这样居然连媒体都没监管，嗯，不符合现实。
视听语言上，本片舍弃史诗叙事、宏大奇观，增加主观戏份，强调倒影、镜影、水影，主打冬景、雨景、夜景，主题式配乐封闭而不时惊悚，整体删繁化简后专注于压抑的感官沉浸，开辟出全新的观赏体验。
脱下面具，一股森冷之气扑面而来，感觉几乎是小丑穿上了蝙蝠衣。层层剥茧，几乎没有一个人是干净的，最后浓重的黑暗褪去，希望在明天
成为经典也是情有可原，纯以剧作论有几分好莱坞类型片的风范。孙道临穿军装怎么看怎么别扭，一换上长袍立马就风度翩翩了。
情节引人入胜，男主很有银幕魅力。可能由于时长的关系，对于二人感情的发展没有过多着墨，后来者《潜伏》弥补了这个缺憾。老电影里女特务看起来都比较有魅力
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