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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
打虎的那個橋段我想是借鑒了水滸傳裡的武松打虎。
迪斯尼电影都是给小孩看的，动画片反倒是给大人看的。
迪士尼ride电影想到二十年前看得vcd系列（这是落地策略吗都找不到非配音版本），中间打斗有点冗长（前方又不喷水椅背又不会动打那么久很没有必要！），但前后很欢乐，出字幕才意识到那个是Jack Whitehall，他是变帅了吗？！
又是迪士尼游乐项目宣传片，情节极其低幼，卖点特效场面而已，剧本转折生硬，故事推进儿戏。艾米丽布朗特和强森没有化学反应(岩石太老了（。
真正的图一乐，剧情对于这种按照大数据喜好拍出来的电影来说已经不重要了，重要的是探险过程里强森的无所畏惧和艾米莉布朗特的英姿飒爽，偶尔再搞点亚马逊雨林的景观点缀一下，这种无功无过、特效平庸的欢乐向探险电影确实很适合和家里人一起看作为消遣。
顺便友情提示一下，恐蛇恐虫的朋友慎看
居然还有Band-Maid的客串，日本流行元素玩得还是很溜的。今年这么多大女主的杀手片，只有Netflix的本片和《火药奶昔》做到了消除男性凝视，不再是高挑性感美女卖弄肉体，而是展现刚毅的女性魅力。MEW真的是这个角色的不二人选，她的帅气和偶尔流露的深情都能让人想起《异形》的雷普利。
挺好的还不错，合家欢爆米花片。这年头这类好莱坞传统冒险探宝片也不太常见了。
木乃伊是一个女博士+她的超搞笑哥哥，再加一个“雇佣兵”男主，然后碰到一群守护金字塔的神秘人，BOSS有形态变化然后随着时间逐渐强大。
好看的复古爆米花。电影改编成主题公园的游乐项目很常见，但反过来拍大制作电影，算是很清奇的角度了，给人一种「世界上已经没有值得拍的IP了」的感觉。
7分，前60分钟让我以为又是一个平庸的动作探险片，还好后面精彩的特效拉回了看片动力，但整体还是万年冒险片套路。
【6】从电影本身角度看，就是个套着无数老框架拍出来的杂糅产物，配上某些好看的大场面特效而已，然后大家都知道了，这是个迪士尼游乐项目宣传片。
看着玩儿。
古早味冒险故事，马马虎虎，没惊喜，大猫乖，女主美。
主题园区可以安排了😂丛林里的诅咒种类是不是恶心了点？
哪怕不提《杀死比尔》、《怒火攻心》、《杀手莱昂》、梅津泰臣，甚至是最近那部共用一个武指团队的《门徒》，脚本也俗套到真的像是五六十年前东映和日活批量成堆的极道片以及野田幸男为代表的带有浓厚反美意识形态的粉红暴力映画的遗留项目。极具超现实动漫色彩的影像演出风格反成了国村隼的台词所嘲笑的。但即使如此，依然是“疾速”团队目前为止最残暴的动作戏了，还是那句话，该团队开掘演员动作体术潜能的本事实在令人钦佩。观看当年由深作欣二执导，将《星球大战》抄了一底儿掉的特摄片《天外来信》的石原贵雅，国村隼活劈浅爷，精神足够老派啊。
7分，前60分钟让我以为又是一个平庸的动作探险片，还好后面精彩的特效拉回了看片动力，但整体还是万年冒险片套路。
就中规中矩的探险片吧。我睡了半小时接着看的，一点不影响理解。
从海报就看出，这是致敬印第安纳琼斯的作品，连反派都是一如既往由德国人担任。不过演员选角看出，似乎在试图复制木乃伊系列的搞笑历险。强生在本片中的人设和之前几部模仿之作，比如地心游记，是一个模子里刻出来的，除了绚丽的场景外，没有什么能够留下深刻印象的东西。
真的有点感慨，日本人自己不再拍黑帮片了，结果美国人拍了一部这样日本元素满满的黑帮复仇片～画面质感，调色和构图都属于上乘水准；霓虹迷乱的东京夜生活，音乐却一点都不嘈杂混乱，伍迪等人的戏份中规中矩，有很好的背景可信度，但是女主温斯蒂还真没想到也投入到打女行列里来，缺乏好的动作指导，卖力但显得松软～就像季节未到的大闸蟹，虚有其表。柿子脸丸子头的钢牙妹，说是黑帮豪门千金，真的不信～剧情方面还是“致敬式”的老套，背叛与清理门户，倒是挺东方思维的，尼基塔×日本黑帮的混搭，能看～
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