Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
政治运动下的大逃杀 想用客观的角度展现真实世界下普通人陷入政治阴谋无助和求生欲 但无论是绑架案还是被追杀的真相在这个片子的整体基调下显得并没那么重要
“Do You speak English？”Oh My god，美国🇺🇸人来欧洲旅游还是多学一门外语吧，别见人就问“Do You speak English？”英语的普及度虽然遍及全球，但不至于每个人都能跟你说，你怎么不问，“Do You speak French？”“Vous parler français，oui ou non？”别回头卷入外国政治阴谋都还听不懂别人在说啥。
要不是挂着奥巴马头像还以为是90年代的电影。后半段拍的太拉胯了。
本以为是个惊悚片，结果是个美国故事片，还是亲爹附体的那种
竟然是彻头彻尾的大制作，最后成品这样就也不知道该说啥。
中规中矩缺乏深度。问题是坎妹怎么长这样了？？？？
盲猜女主
好莱坞想说他们是反对颜色革命吗？一颗星给你
男主人公挣脱所谓运动又被宿命般地拉回来，看到最后我觉得他几乎已经在用生命与政治事件割席；镜头给到酒店的时候，真的很伤感，人之渺小，江流入海
情节稍微有点点套路，很多时候都能猜到会发生什么，但没有沦为爽片，用配乐、剪辑把逃亡、打斗的整体节奏放慢，加一星。配乐居然是坂本龙一，怪不得很厉害。
误入真是漩涡有点扯 多大点事就往死里追 最后还把人家红发叔叔杀了 什么玩意
一如封面那样孤独。
奈飞的水平差到这个地步了吗？ 看得我满头问号❓
从画面到叙事都很复古，镜头运用也是增加不少悬疑感！还是值得一看的
没有想到还能听到这样的一次七十年代政治惊悚片的遥远回声，开头的神喻，到尾声的“i should die”，错误的人出现在错误的地点，半世纪后仍然指向宿命，未如往昔隐却入黑暗之地，解救之下却更为悲观。
希腊风景不错 我竟然觉得还可以，主角就是主角啊比一般美国特工强多了
大时局下小人物，左右皆难分恶善。
大胡子坏警察醒来后，余生都将被一个噩梦问题纠缠：我怎么这么菜？
除了前半小时，后面还是很紧凑，让人一口气看完。奈飞这种更进一步的工业化、网络化电影总觉得有点怪。
偏写实的政治惊悚题材，天生略显沉闷，导演为了挽回在结尾安排贝克特爆发小宇宙，跳车那一瞬间好像成龙附体。
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