Alaska Rose has had a difficult few years since her mom left the family four years prior; acting out, rebelling against her single dad, Conner, getting into trouble in school and worse. But when she turns eighteen, Alaska finds herself in front of a judge in adult court for some of the same out-of-control behavior. In lieu of a jail sentence, Alaska is ordered to do community service in an assisted living facility where she is assigned to Mrs. Foster, an elderly resident who is unapproachable at best and hostile at her worst. Will Mrs. Foster be Alaska's undoing or will she simply be another obstacle on the road to the headstrong girl's freedom? As Alaska tries to minimally fulfill her court obligation and dodge actual jail time, she deals with peer pressure, static from her family, outside influences and demons from her past. Can she navigate the tumult and re-discover a relationship with God and her family or will she remain caught in the cycle of bad choices and lose what little of either is left?
黄政民完全没有什么表演，所以是导演还是剧本的错。结尾的The Passenger亮了
要不是看了我们的版本，这个在我应该是个三星爆米花吧，原作那种真实感，以及警匪人质各自的展现在这里好像就展现了人质，最后的结尾我也觉得有点奇奇怪怪。
改编的太“韩国电影”了，不如吾先生细腻，又变成了韩式的暴力撕扯。黄政民一个惨字，正常发挥，其他没什么意思
看了3部同类型的片，美国一部韩国一部中国一部，总结为毛每部绑架犯都有个智障？？而且都他妈内讧导致被捕，显得太傻逼了
黄政民：用暗语叫人报警；劫匪：我绑架了黄政民哈哈哈哈哈
看的时候真想忘记原版剧情，因为黄政民，所以值得三颗星…
噫！这最后一幕，是以为我没看过《苦难》嘛！！！
丁青那个狠劲儿真的是演出来的。咋不给李政宰打电话呢
为啥那个女警察不给劫匪一枪啊……等啥呢……
就是一部反派内部大乱斗！不过反派耶确实比黄政民的角色出彩
韩国商业片特色：警察无能，贫富差距，娱乐至上，主角光环，队友是猪，翻盘还得靠自己。恭喜韩国拍出了具有自己特色的《解救吾先生》。
还没看过原版，感觉就是个很普通的绑架故事，加了一点明星被绑架的噱头。
2.6
1分，周围所有角色都被无限弱化，智商捉急的反派，虚张声势的警察让黄政民的角色被无限放大，直至演变成黄政民的个人秀，结尾高潮是对演员的再次消费，让整部电影显得异常干瘪，抛开黄政民真的什么都不剩了，连所谓的爽片都达不到
论此剧本没有人可以超越刘德华和王千源的演技
2022.3.15
瞎改，改的乱七八糟，演员表演用力过度，情节夸张不合逻辑，失败。
为什么不是绑架马东锡呢？说实话没有刘德华那个版本好看。
挺流水的一部电影，如果没有黄政民大概率不会想看。
6.5，绑架电影拍烂了，这部绑架张力一气呵成黄政民21年爽片，让人想起解救吴先生。相比较那个话痨，这部更紧张够劲。自己演自己，也真是少见。
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