Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
再来人身攻击的，继续把证据贴上去，都有留底。
只能说，不过如此，算不上粗制滥造，但也才刚刚及格。女演员们的网红脸太出戏啦
很好 果然是良心网大 虽然剧本稍拉胯 但瑕不掩瑜 导演的视听语言和美术简直绝绝子 雪中大屠杀＋火焰刀直接给我看woc了 推荐推荐！
够胆只拍74分钟，摄影、灯光和导演磨合得非常好，秦鹏飞的动作添彩不少，无论对谢苗还是导演，都称得上代表作
看完之后，“感觉电影怎样”“还不错，可以的”
三星半，谢苗人设不错，但部分日式服化道太恶心了。
·音乐选的真不错，曲子人声和歌词都很贴合，好几次眼眶湿润都是曲子给渲染的。
不错啊主角很帅，虽然也有些bug但剧情很流畅打戏也给力，场景很美很艺术
意外的好看，结局不如就到机场送行那里就结束。所爱隔山海，山海皆可平。可是有的人，只是隔一条小河沟，就过不去了，以前以为是因为外力，想了一年想明白了，就是他自己的决定，所有的不可抗力都不过是借口罢了。
比上一部好太多了，讨论的问题在当地有普遍性，煮麻叶与吵架两段，有很多真实妈妈的样子，但演员演技还是过于僵硬
很好很好的侠客电影，美术很好，场景很好，演员很好
如果说杨导还有哪里可以完善一点的话，我希望能有一些关于男主人性闪光和人情冷暖的戏，或者尝试为成乙打造一句经典台词，比如：我看不见但我的刀能。
不是........这打戏拍的很粗糙啊？？这就能和浪客剑心比了？？？？剪的巨碎，几乎每次剪切都有countinuity problem（剪辑前的动作着陆点和剪辑后的起始点有差异），这么外行的水平就惊艳众人了？？？咱就算不跟外国比能不能起码回忆一下香港动作片的水平.......虽然这几年港片的总体水准不行但这些基本功至少是没毛病的啊.......
前半段特别的好，到了深圳之后不免落入俗套，妈妈的形象像极了许多潮汕母亲。
那么问题来了，既然这么简单的故事，既然装逼犯们这么瞧不上这部电影，那么它何以问鼎网大天花板，甚至放在电影院也肯定受大部分人欢迎，吊打70-80%同行不过分吧？那是不是说明我们市场上其他制作者，每天的工作，都在做屎？而这些装逼犯，天天都在吃屎？
网大的局限与极限。
快进都嫌无聊，先不说演员烂的我都笑不出来，再说这封建剧情和尴尬的表达，再看看这评分，别骗人了。
融入的潮汕地区传统文化和婚育话题，新旧观念和原生环境必然意味着融合需要时间和空间，好在是个不错的结局，爱真的能抵抗一切吧。
制片人居然是魏君子，他理论水平强，但实际编剧或者制片、策划的电影就没有一部及格的。
虽然是一部网大，但做出了江湖气息和电影质感。情节是很传统的英雄救美，格外有着复古的侠气。很多运镜水平很高，谢苗的打戏也是干净利落，好可惜这么好的一位打星都没有红。
Copyright © 2015-2023 All Rights Reserved
