"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
在此类低成本反杀悬疑故事里虽不算新鲜，但该有的都有了还不忘加些小创意来提味，诚意满满，看得爽。哈瓦娜·罗丝·刘是位好演员。
第二个赞叹是小女孩与中年女人的过往孽缘，真是让人感叹「因果轮回」。
有致命逻辑漏洞，每天一起生活，还做了身体检查，怎么可能完全没认出对方。
我只想知道，玻璃门是什么时候烂的？还有为什么不是白人女主？而是一个亚裔而且演技奇差！
封闭空间电影投资更小，但对于细节、布局、反转的设计要求反而更高，不然很难把观众带进局中。以为谁都是温子仁吗？
为什么不先制服，或者限制其行动能力，再或者直接干掉呢。
还可以呀。我被某个短篇误导，一直怕出现精神幻觉的煞笔剧情，结果还是正常的展开。要不是这点观影体验更好吧
还可以，结尾挺不错的。过程还行吧，没那么出彩的感觉
完全没预料到会这么好笑 也没预料到会见到山p
我觉得对于小成本做的真不错诶，就是推理弱了点。但是因为选用华裔，加一星。
没想到还有山下智久。。。哈哈哈。。。不过出场少了些。
竟然有点小惊喜(刺激)，虽然只是小成本制作。电影中至少两个地方看的我非常揪心，一处是邪恶翻开了自己最后一张底牌瞬间扳回局势，一处则是。。。(咦，看着就痛)，总的来说是周末非常不错的消遣电影。这应该也是我第一次在这类美国电影中看到使用了Chinese作为The Final Girl的设定，而女主也确实演的不错，同族裔加成，那再给一个星吧hh
反派死于好奇心重又话多，还有防滑鞋的重要性
傻逼女主，又丑又蠢，发现小女孩后做的每一个决定几乎都是错误的，在手里有枪，绑匪因为误杀同伙精神恍惚的时候不朝绑匪开枪反而选择逃走，后面挨警察一枪一点儿不冤，咋不打死你呢？
我还以为是暴风雪山庄模式的猜凶手呢，结果这也太无聊了。
钉枪直接给我打出橡胶手错觉...暴风雪山庄模式，以小成本来看算是小成功。毕竟反转都在意料之中。
有段时间没有看过这种较为优秀的纯剧情小空间小制作片子了，剧本还算挺扎实，重点是从毫无波澜到最后如何步步推进，还有如何收尾，能做到有看点有起伏没bug且不蠢，在现在来看已经是很难得了
黑夜，大雪，山林，小屋。这些元素混在一部片子里，对味！
经典暴风雪山庄故事！反转不断！drug也可以救人！nice~
一定程度上来说，节奏还算不错。但演员的一些奇怪举动着实有点摸不着头脑
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