With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
既然有基友版《傲慢与偏见》
糊弄亚裔男同性恋的时候能不能起码走一点点心🤏
too white too fit too bottom too cliché
很普通，但还是很喜欢，Oliver小可爱比逍遥法外里还可爱了
很轻松的，不需要那么上纲上线，也不是每部LGBT电影都要有什么深刻意义
Ah… social hierarchy is harsh across all communities
虽然故事真的好俗套，演员之间也缺少火花且过于做作，但其中某些内容却也很真实，比如对圈内鄙视链、男二对于个人感情的困惑，一些喜剧元素也自然有趣，编剧不愧是脱口秀演员，不要抱太高期待，当成一部小妞爽片看就会很愉快。
让故事戏剧化的同时强化了演员对人物的塑造
这部电影的教育意义我想就是Live it up活在当下，趁年轻青春还在要好好享受生活do whatever you want ！
基佬版的《傲慢与偏见》……打发时间的快乐小电影，Dex帅到我失语了。
Sometimes I run, sometimes I hide
没啥剧情可言，看个开心欢乐，Will我真的太可以惹，本命在东南亚
虽然非常的cliche，但还是很欢乐的。gay版傲慢与偏见+1
看过，很开心，不就好了吗？给人爱的勇气，冲啊！
简单的说就是俗不可耐吧。唯一觉得不错就是他们可以有自己的小圈子，像家人一样彼此支持，or maybe超越了一般意义上的家人。
国家利益？还是儿女情长？还是一个男人不愿回忆的过去？
另外很喜欢的就是 同性恋圈内种族 阶级 性别气质歧视没有被匆匆带过 一直在让人感受到那种不舒服
什么时候能有基友版《爱乐之城》
希望能有一群一起能够长长久久的好朋友，为我们的人生增添色彩
《逆冰之行》向我们介绍了格陵兰岛主权的前世今生，描绘了即美丽又残酷的极地世界，同时又展现了米克森和艾弗森两人的美好友情，是一部完整又吸引人的作品。
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