The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
劫难后的片场一段实际可以深入的，然而真事改编的再改编大部分时候只能是凭空虚构，从头至尾“黄政民”只存在于这个名字上，老黄似乎并未找到或者压根就不想去思考如何扮演“自己”。
2.6
可惜了！不如不拍，没有颠覆大众对《新世界》的印象，反而加固了这些shadow
节奏拉胯 反派弱鸡 剧情亮点全改没了 只能说改编不是乱编
黄政民你不要演自己啦.看得很別扭.还有韩国的警察究竟可以有多废.
打斗戏手铐的桥段和老手如出一辙…
和中国版的各有特点，韩国版习惯了把jc写得弱，基本靠演员自救。我唯一印象深刻的就是那C的胸。
除了黃政民保持一貫的水準，電影其他單位在做什麼？這劇本說不過去啊
居然以真人名字出演，还玩了好多《新世界》的梗，不过黄政民大叔演技还是在线的
还行吧 反派战斗力明显是比吾先生强不少 这警察同志们好惨
唉，c罩杯领盒饭领得太早了。这电影跟解酒吾先生比真是差的太多了
和中国版的各有特点，韩国版习惯了把jc写得弱，基本靠演员自救。我唯一印象深刻的就是那C的胸。
跟原版比，少了绑匪头目回到城里找爱人的情节，多了男主和被绑架的女子的互动…整体看来，跟韩国同类型的优秀影片比，不算出色。
绑架的头儿别说黄政民有心理阴影，我都差点有心理阴影了，真的是狠啊这群绑匪。
突然觉得王千源演的绑匪更有张力，结尾lggy pop的歌加一星
几个绑匪也是穷凶极恶的各有特点。
借了解救吾先生框架的完全韩式电影，为了拖时长和主角光环警察全程不开枪真的不合理啊！
黄的一秒钟变脸
黄的一秒钟变脸
【3】————— 📀 2021·韩国
Copyright © 2015-2023 All Rights Reserved
