To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
神谷这声音吧，越听越上头～这番里的男声都很上头，闹心
3.5其实这两集倒没有多么令人惊叹，诡异的访客剧情和立意还有点意思，石起一般。咱之所以微笑着看完，那是因为对夏目不变的爱，期待主线剧情的第七季早日到来。
好久没看夏目了，趁着大会员没过期赶紧看了，其实还好，故事都差不多，主要是情怀。
为了夏目友人帐开了哔哩哔哩大会员，真香！
今天会 明天也会 永存在我心中
怪异访客 三筱人形居然这么帅？！简直惊艳啊！每次在夏目里看到衰弱的人和妖都很伤感
以前的故事很细腻，让人感觉虽然很小的事但很打动人，现在太套路了，只感觉“就这？”
动画延长线，与其说剧场版，不如说是连着看了两集动画。还是那个味道。
没想到在2021年还能看到夏目友人帐！喜欢安静的讲述着每一个故事，会想起以往夏天的时候，观看夏目的自己，正值午后，窗边阳光照耀进来，安静，安心，温暖，很开心！！
李小姐的那一夜不过是断了高跟的名牌鞋，格洛瑞亚的那一夜只能是需要收款的画作，蓓蓓的那一夜或许是鲫鱼汤多加的调料。她们围坐在一起，听老乌讲起他的那一夜，原来爱情可以是男人一生的海啸，倾覆一座城的波涛。已经活到了不会为一张素描而心动的年纪，爱情终究属于神话，不如护手霜和点心值得回味。
6分 1唤石＝御用起床铃，讲不辜负信任。
两集ova合集 夏目从五六季开始慢慢的就开始讲他的朋友们 夏目看起来不再那么孤僻了 开始和朋友们互相依靠 六季结束看似要进入主线友人帐了
每次都会被那么好的治愈到，即使是拼接的故事
好久没看了，主要是被治愈给治愈腻歪了。但是能拍出 “哎，今天放学不小心碰到个小鬼儿/小妖怪，跟他唠得不错”这种氛围的，也就是霓虹津了。
大森的脚本里强调了夏目和斑的关系性。村井一如既往写出了带有悬念的夏目味。
今日观影记录
瞬间眼泪就上来了。
第二个故事发挥正常
此生无悔入夏目，来世愿做帐中妖！
要来了要来了，夏目啊我好想你
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