Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
本该90分钟结束的电影，拖拖拉拉了。谍战片很新颖的题材，可惜演砸了
又好笑又无聊🤦♀️求同款Tom机器人，我需要他来帮我整理房间🤪
在某个国家直接找个罪犯淹死就行了不用这么费劲
前面有15分钟睡着了，可能期待有点高，本以为故事能讲得更加激动人心一点，感觉可能还是得去看纪录片。
随便看看还行吧，如果去掉sex不就是个普通儿童奇幻片……
中规中矩。两位男主对Jean心生情愫这种桥段过于戏剧化了些（尤其对一部根据历史真实事件改编且角色沿用原型人物原名的电影来讲，没必要）间接弱化了Jean对于行动成功的意义，电影对这个人物的刻画挺失败的，有点跑偏。达西*2的组合身着制服实在很有魅力，客串卡司亮眼。
二战故事迷！英国小幽默到处都是，拍标准照那里快笑死了。
Netflix. 法式轻喜剧风格还是很讨喜的 场景设定和布置都有见用心.
赛博朋克+疫情封城+三一律+热内式天马行空，网飞出品质量上乘的科幻小品，未来世界的底色仍是吃喝做爱吹空调，推荐与同期《不要抬头》交互观看，体验一下美国文化和法国文化表里的迥乎不同与殊途同归。
情报工作可以用碎片细节拼出一具尸体的人设，但导演不能用碎片情节拼凑起一部电影
剧情极度无聊，甚至连《我，机器人》的十分之一精彩程度都不到。色彩也是打涂鸦式花里胡哨，表演浮夸，没有喜剧效果。
感觉有点烧脑的，做了那么多最后还是怀着忐忑的心情部署战事，现实也不过如此了，加入感情线，会感觉男主有点渣，毕竟是精神出轨了琴啊。
在热内的电影里面算不上太出色，但还是好看好笑的
本子没啥新意，故事线单一，不搞笑，也没啥很深的意义
没那么多故事赢讲，某一幕简直是某讲苏联的电影啊哈哈
多一星给最后的墓碑，“作为威廉·马丁为英国海军服役” (/ _ ; )
非常不错的英国电影，英国演员真的是在刻画角色上非常深入，一撇一捺皆在展示人物内心上，虽然剧本or导演手法上不是那么精彩，但是演员真的太投入了，不经意间展示了这段尘封的历史
过于工整，有失趣味，可是有视觉和听觉盛宴，还可勉为一看。
多好的故事拍的平淡无味，可惜这么好的题材了
所以欺骗成功全靠敌人内部跳反？…… 感情线挺败笔的
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