Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
亲子时光，我睡着了一会，小朋友看得很投入，他印象最深的是阿奇小时候被抛弃了。
有人说，这是一部从孩子视角可以打5星的电影。我说，从大人角度出发，它依然可以打5星。大片该有的要素它都有，这是一部孩子的动画片，不要用大人眼光去要求它。难能可贵的是，它没有完全只迎合孩子：市长的“一万粉丝以上的网红”和“记得#话题关注我”梗，和主播戴假发梗只有成年人能会心一笑。看过连续剧，去电影院看大电影，它值得。
这大概就是孩子版的复联吧，拍的还挺好的。相比电视剧，扩展了地图，增加了新的女性角色（感觉要和阿奇嗑CP）。剧情也不错，主要是讲了阿奇的出身和内心成长，有个情节居然让我这个陪娃看的人有点热泪。但是就很不能接受配音演员故意装强调把阿奇叫Archie，把莱徳叫lāi的，分分钟出戏。毕竟电视剧的台版配音已经深入人心。
三个平均年龄23.5岁的人包场看的，“那就看汪汪队谁都不要怂！🐒”
还不错，故事完整特效精彩，狗狗也很可爱。毛发细节做的也很好
带3岁半儿子看的，人生第一部正式电影，看得入神。说最喜欢阿奇理由是摩托车帅……
以小朋友的视角看应该是挺不错的。做的比系列剧精致。
有笑点，有泪点（莱德带阿奇到小时候相遇地方的时候我们母子三人都哭了……），剧情大片感十足，卖周边发财的莱德盖了新大楼，卖了新设备，炫酷十足。
全程戴着耳机在手机上看《倚天屠龙记之魔教教主》，好在只有不到一个半小时，孩子开心就好
南方巨兽楼被拍得毫无气势，大概就是本片失败的缩影
一部纯粹的外国片，虽然是给小孩看的，却满满的成年人的世界！
- 替阿奇配音的居然是小谢尔顿的饰演者，听不着真是可惜了。
陪儿子看的，他看得聚精会神，眼睛一眨不眨，看完就去玩汪汪队的玩具车，说明他应该很喜欢。这就够了
- 替阿奇配音的居然是小谢尔顿的饰演者，听不着真是可惜了。
娃第一次在电影院看电影，看完直呼还想再看一遍。当看到狗狗们从新总部出动的时候，那酷炫的滑梯给我都整激动了，哈哈，没有困难的工作，只有勇敢的狗狗！
汪汪队装备集体更新，队员又多了个贝贝，周边又可以大卖了！2022.01.15
无聊。故事整不出来新意就不说了，动作戏还给我拉胯，这还有啥看头。情怀完全没煽起来的老三人组？毫无化学反应的新三人组？其实这些都还没啥，最让我无语的就是第二部里挖的那么大的一个坑，你给我这么填？恶心！
当恐龙这个IP失去了童趣，不再适合大人小孩一起看的时候，就只值 ⭐⭐⭐ 了，多一 ⭐，只因为上次走进IMAX影厅已是去年10月。
一直抄袭侏罗纪公园有意思吗？？？为什么那个世界的哺乳动物都不用冬眠啊？老戏骨也是没有足够发挥空间，劳拉邓恩不值得吗？？我生了我自己这种……好吧
好看，孩子们乐疯了！贝贝坐在摩托上发动的那一刻我也哭了，梦想成真的感觉，美死了😍😍😍
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