Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
没想到这部动画片比其它两部都好些，虽然故事情节有点老套，但起码是个叙事完整条理清晰的故事，而且人物塑造的还行
画面尚可，小孩子看得开心，但是我全程只想睡觉。。。。。
要说剧情什么的其实只能得到4星，但是作为原创的国漫动画，虎墩是有诚意的。首先没有网红建模脸，其次台词没有玩烂梗。从抖音认识虎墩，希望他能走得更远
还蛮低幼的
我觉得挺不错的，虎墩太可爱了，虽然有点不成熟，但在路途中也成熟了不少
我和我女朋友去看的。旁边都是大家长，带着孩子，感觉怪怪的。我们的年龄非常小哈哈
更加卡通，也更加保守，一种爱情观打赢另一种爱情观，或者说《天生杀人狂》式的“浪漫”和叛逆就此成为了过去，看似危险狂暴的主角实则背负着相当正确的情感理念，曾经的美国电影中的“坏孩子”们，正在被“扭转”为仅剩表面故作姿态的“三好学生”，话说回来，这部短小的电影究竟又有多少认真，也许只有那个预料之中的彩蛋，更进一步，可能仅是为了这段彩蛋而制作了整部电影。
比预期的好看顺利太多了，看来不抱期待的看果然会有惊喜
幼稚，很多情节不知道为何，比如大反派为什么要扶持一个不会武功的当大当家。打败大反派只需要一些绣花线。强硬煽情。
还可以，还好最后师傅没死，要不然就真的烂尾了
师傅是《剑雨》的男主吧。还不错比想象的好很多。
毒液1又不是没赚到钱，怎么这部弄得这么敷衍啊
总的来说，观影体验很不错，轻松愉悦，有笑有泪有刺激，尤其看完发现全网几乎没有讨论和热度，很多春节档盘点的自媒体也都自动忽略了这部作品，很多观众也还没有发现这部片子的存在也还是挺惋惜的……
如果说可以改一个名字的话，可以叫做神行太保小时候的故事或者戴宗前传。
标标准准的低幼版大动画电影，虎年贺岁有创意，镖师及说书题材有新意，其他就乏善可陈
假冒的东瀛禅师，冒牌的天下第一，以及控场的舞台导演，值得一笑。
很意外的一部！虎墩真是人小鬼大有主意，为了镖师梦努力拼搏的样子看得我热血沸腾！
见惯了夜色深沉，
故事情节很中国化，每个角色的形象颇具特色
小虎墩的形象设计很成功，因为是非神话原创，必须支持
Copyright © 2015-2023 All Rights Reserved
