James Bellamy has started his new job in the City but he is feeling out of sorts and is completely bored. He's also broken off his engagement with Phyllis. Lady Marjorie is planning a trip that a trip to New York to see Elizabeth and then on to Canada. Richard Bellamy is busy writing a biography of his father-in-law Lord Southwold and has engaged a pretty young typist, Miss Forrest, prepare his manuscript. When Miss Forrest comes to work on a Saturday, James orders lunch for both of them in the dining room that leads to a major confrontation with Hudson over whether wine should be served. James is trying to impress the young woman by playing master of the house - his parents are away for the weekend - while Hudson feels it is his role to ensure the rules of the house are followed when the master is away. A humiliated Hudson feels he has been put in an impossible situation and given the lack of proper standards, feels he must resign. Darker clouds lie ahead for everyone, however. Written by garykmcd
4.5/5
没有大战。但搞笑的桥段基本都集中在这一部。
当代歌舞片典范了。好听好听。加菲真的好像年纪大了🥺
作为一部武打片来说，文戏还是太多了，不过瑕不掩瑜。
一直都只听说过Rent，但没什么了解，原来背后是这样的一段创作经历
Hell, you still feel like you're 22
我觉得对祢豆子的质疑是合理的，不能直接带入主角视角吧。
好于 91% 歌舞片 ?? 反正还是觉得芝加哥和红磨坊无法超越
TV动画版的22-26集的合辑篇，与前两个合辑篇一样，与原动画相比，并没有什么新的内容或镜头，而且从故事上来说，这个合集也没有太大的爆点，真心感觉没有太大必要进行制作。故事上是第一次让所有的柱登场，同时也让众人认可变成鬼了的祢豆子跟随哥哥炭治郎和鬼杀队一起行动，之后便是三个男主的训练之旅，没有什么打斗的内容，也没有什么爽点，毕竟本身这一段就只是过度篇章，看过TV版的话，个人觉得没必要再看这一段了，确实没什么意思。
鬼杀当主·产屋敷耀哉
生活都被写进剧里，生活本身也自然被掏空。
孤独的乔尼将走向黑暗 留下的是那隽久的乐章，人们仿佛要穿越时光 去窥探那场最后的盛宴。
确实有被狠狠的打动到，加菲的表演增色很多。个人觉得音乐剧与电影的融合很好，当然因此也能想象到批评者们的矛头一定是指向与音乐对影像的侵占，但全片最艺术化最棒的部分依然是影像化的——游泳池里的五线谱太美了。
故事，歌曲，表演都不錯，但舞台音樂劇與電影的那種違和感從頭持續到尾
第一季
好厉害啊，跨界做电影导演也做的这么好，果然优秀的人做什么都很优秀
EP.11-14 《鼓屋敷篇》
Andrew Garfield的眼神里只有挤不出作品的焦虑和受伤，感受不太到艺术家的疯狂，但Jonathon Larson本人的歌词实在太戳了😭
主角们成长的过程，夸张又卖萌的轻松剧情，无限列车前篇。
太远了也太近了，不知道怎么打分。可能一年前看会觉得很cliche，但现在我是一个有遗憾的妥协了的前从业人员。
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