Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.
This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.
From IMDb:
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
几年不见谢霆锋演技好了太多，虽然还是喜欢歪着脑袋斜着眼耍酷，一开口秒变奶油小生。二十几年前的港片剧情里警察都没甄子丹这么标榜正义，港片是真的没落了，只剩下打打杀杀的视觉冲击，不胜唏嘘。比《拆弹2》还是要好上不少的，俩片同分挺离谱
自古深情留不住，唯有套路得人心。
开场超high的追车把观众直接深入其境地带入影片后，剧情的不断反转以及活力四射的ost也让人沉浸其中。虽然非好即坏的角色形象有点单一，但是在2022年上海居家这段时间真的很解压。
细节上怡然高水准，但类型上很难突破，和打破刻板印象一样难。
“有些时候，你得在美好生活与朋友之间作出选择。”
给professor marmalade配音的是IT狂人的Richard！！！
回归到简单一点，善就是善恶就是恶，没有那么多救赎和反转的故事，也挺好。
还不错的合家欢动画长片，非常的梦工厂风格，和动物城观感接近（但不及）。因为定位是合家欢并且小朋友主要目标观众群，注定了骨子里的改邪归正正能量满满，不过情节设置和故事推进倒也还有点意思，不完全烂俗。有儿童友好版《十一罗汉》的味道了，很适合带小朋友一起看。而作为一个成年观众，那些be good be bad的核心论点对我来说实在是太单薄和低幼，可是我仍然看的很开心，因为实在太！萌！了！天呢大狼帅的我感觉channel到了自己内心深层的福瑞控嘿嘿嘿。无论是坏蛋们的友情还是狐狼的小暧昧都很抓人啊。另外梦工厂的制作功底也完全没让人失望，从heist的整体设计到追逐打斗，都呈现的非常利索痛快，真是可惜疫情影响没能在大荧幕上看到。总之，没大突破倒也足够好看，世界观还可以继续做下去，期待有续作，四星半！
（豆瓣真空期补标9月末-12月）尽情开火陈木胜。
一开始我觉得自己猜对了7788，后面没想到全员坏人哈哈，这样的剧本还说得过去
三星半吧，比预想设想的要好看。狼一说话有时候会以为欧文威尔逊来了。尬舞永远最尴尬
细节上怡然高水准，但类型上很难突破，和打破刻板印象一样难。
因为是陈木胜导演遗作就不评价了 甄子丹那个角色不死掉就真是很无语
好人成佛要历经九九八十一难；
有点像《疯狂动物城》，都是传统的正派形象被反转。但大灰狼很轻易的放下屠刀立地成佛，转换得超级生硬，太想当然了吧！影片的形象设计、对话内容、结构桥段、乃至视觉效果，并没有突破美国电影的超级英雄传统模式，使我有点审美疲劳了。
打戏枪战密集火爆，剧情的套路虽然明显，但节奏挺好，而且具有一定的现实意义。子丹虽老但依然悍勇，霆锋状态保持地很好且文戏有亮点。华语影坛痛失一位优秀的导演。
剧情没有什么特别新鲜的，和zootopia主设定都差不多，反派都是一个看起来软萌可欺的小东西……但是这片子里警察简直就是弱鸡摆设二百五了。点只有wolf特别帅气emmmm
- 那有啥，我这剧本里的豚鼠还分会说话和不会说话两个种族呢。
坏人本质却不坏的设定让人想到了，卑鄙的我，不过这次是靠喵星人拯救了一个坏人，再拯救了大家。整体观感很轻松愉快。山姆洛克威尔的配音真的很棒
还有，梦工厂另一个牛逼的地方在于，每次都能把虚拟的，甚至都不是人的人物塑造得那么有人格和性别魅力，男狼和女狐的暧昧戏码，让屏幕前的我几度想鸡叫~跨物种吸引根本不是事儿有没有？
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