The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
今天连续看了两部提及新冠病毒的电影《KIMI》和《瀑布》
我为什么要看这么烂的片,女猪无论颜值身材人设演技四合一灾难,剧情无聊兼闷到侮辱智商,尤其后半段都是些什么鬼,这样都能被反杀也只有智商为0才会有,kimi原来是工具人...
nail gun真好用!看完想自己买一把
故弄玄虚到这个地步????????狗屁啊这都是
估计是因为个人原因,感觉人设存在巨大不适感,故事发展的整个过程极其憋屈。
节奏慢到睡着 一个录音重复放八遍 死肥宅小丑竟是我 hey siri
危险录音
Hey Siri,我唯一看中的是彩发女住的房子
感觉节奏有问题,主角无法出门的设定完全只起到了拉长前奏的作用,假使她没有这个心理疾病,这个故事依然可以成立。
3.5除了结局的突然反杀很突然
我还是挺喜欢
前半部分太冗长了,没必要,最后反杀几个坏蛋的时候还挺爽的,那个胖子邻居全部的作用居然就是帮助女主拖住坏蛋,一开始还以为也是坏蛋呢,anyway,万物互联还可以这样玩,有点意思,不得不说,美帝就是怪咖多
【C】单一场景、三两角色和用话语补全内容真是疫情期间最投机取巧的拍摄方法,不过从智能语音助手的角度入手也算是一种创新。看得出来索德伯格在尽力塑造情节的悬疑感:「后窗」似的窥视、人群恐惧的女孩、指证罪行的录音、摇摆晕眩的室外镜头、掩盖罪行的阴谋等等要素都齐全,但串联起来的效果却比较局限。
概念有的,前面节奏还算紧凑,后面剧本又糟糕,把控能力也全面坍塌
(瘫坐在床脚的那一段 视觉化了共情的痛苦 很遗憾身体上的表现没有能够一起展示
what is this fucking trash
恐惧外界的个体对信息集权的反抗,某几个镜头传达出的惊悚和眩晕感挺有感染力,但是结尾降维到在自我统领的屋内进行一段“小鬼当家”式的反杀是我无法理解的…
极其无聊,完全是噱头,商业片大导演拍出个这么弱智的玩意
一部开始就可以报警的电影 硬拖一个多小时烂片
概念有的,前面节奏还算紧凑,后面剧本又糟糕,把控能力也全面坍塌
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